Stage

40-year-old teens

ACT, the Magic, and Marin Theatre Company sound off about four decades
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American Conservatory Theater, the Magic Theatre, and Marin Theatre Company all turn 40 this year. Accordingly, these three regionally and nationally preeminent Bay Area companies are rolling out ambitious celebratory seasons. Read more »

Weather channeling

David Dorfman's latest finds inspiration in activism
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Dancer-choreographer David Dorfman is a poet of the ordinary. He digs below the commonplace and lets us see what's underneath. Early in his career, with Out of Season, he paired football players with highly trained dancers. Ten years ago he invited his ensemble's family members to join in performances of Familiar Movements. Both pieces revealed fresh ideas about dance, community, and beauty. Read more »

Fringe on top

Fall's wildest fest unloads a mixed bag of Tenderloin tricks and treats
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There's a crisp fall edge to the heady pee-asma of the Tenderloin as huddled, roaming packs of theater scavengers move hourly among the tolerant local traffic — two unmistakable signs of the SF Fringe Festival. Read more »

Keeping it hyperreal

Kraft and Purver's Remote controls mediated distance and military dominance
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It's our bright and hazy fortune to be living in an age in which each day presents some new means of communicating with one another. So why does life itself come to feel ever more atomized, more suffocating, more confusing and lonely? Can it really be true that no man is poor who has Friendster?
Remote, the latest multimedia performance piece from partners Sara Kraft and Ed Purver, explores this distance, this ambivalence inside our desire to connect with one another amid proliferating technologies of communication and control. Read more »

High tide, low tide

New works pool mixed results at the WestWave Dance Festival
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Moving the WestWave Dance Festival (called Summerfest/dance until two years ago and now in its 15th year) to the Project Artaud Theater was a smart idea. Even though the cavernous former warehouse dwarfs some of the smaller companies using the space, Artaud lays out an altogether funky welcome mat, squeaky stairs included.
Due to philosophical and financial considerations, WestWave has always focused on up-and-coming choreographers. Read more »

Imagine there's no heaven

The SF Mime Troupe's GodFellas is hella well timed
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A constitutional amendment mandating a national day of prayer? If such a proposal remains fictitious (for the moment), it hardly stretches the imagination. Read more »

Explosive

Crowded Fire's Hands torch neoliberalism
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China, the burgeoning frontier of unfettered capitalism these days, naturally gives rise to much scholarly and popular commentary as one market follows another. Read more »

It's a small world after all

Lengthy Babylon Heights stumbles off the Yellow Brick Road
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Are you a good dwarf or a bad dwarf? In the storied production history of The Wizard of Oz, there were notoriously (and no doubt, apocryphally) so few of the former that Glinda-like attempts at taxonomy seem pointless. They were all bad, or at least naughty, as dwarves have historically seemed in the popular imagination. Read more »

Goode is great ...

... despite an uneven 20th anniversary concert
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Passion plays

Powerful writers and equally intense actors play a vital part in Campo Santo's success, 10 years on
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Campo Santo is currently celebrating its 10th anniversary, a significant milestone for any small theater company. But this one really does have something to celebrate. Read more »